Jeff “Mantas” Dunn on the Very Best of Venom

Below, Venom Inc. guitarist Jeff “Mantas” Dunn shares his thoughts on the very best of Venom. For the complete interview, head here.

“IN LEAGUE WITH SATAN”
“One day I came in with this riff and Abaddon started pounding the toms to it in a really tribal way. I was expecting a straight beat, but this rolling thing started happening with the song. And the solo is just a bunch of single, sustained notes with feedback—just noise, really. I had some lyrics and Conrad helped me finish them off. Then we put this backward part in the beginning to make the song sound more evil. I played that on my Flying V copy and my Marshall. There was nothing fancy. We couldn’t afford it.”

“WELCOME TO HELL”
“I used a copy Strat or a copy Les Paul for that song, along with the Marshall. I wrote half of it at home and the other half in the studio. I think those double-stops in the riff make the song. The first one is on the A and the next one’s on the D. I did that a lot back then; ‘Die Hard’ uses that same kind of structure.”

“COUNTESS BATHORY”
“I was in the studio one day and I just jammed this riff. It had these sustained chords like Kiss might have used. While I was playing, this guy Ged Wolf jumped behind Abaddon’s kit and started playing. And when I hit the chorus, he did this double-bass drum part. The middle part is my tip of the hat to the center section of ‘The Ripper’ by Judas Priest. And I played that on my first real guitar, the black Ibanez Destroyer.”

“BLACK METAL”
“You know how some people take a newspaper or