In the decades since his passing on December 8, 1980, John Lennon’s legend has continued to grow, both for his contributions to the Beatles and his accomplishments as a solo artist.
Even so, he is rarely singled out for his acoustic guitar playing. This is perhaps due to the spotlight-grabbing abundance of “stand- alone” acoustic Beatles cuts written by Paul McCartney, such as “Blackbird,” “Yesterday,” “Michelle” and “Mother Nature’s Son.”
But Lennon—wielding his Gibson J-160E or Martin D28—is the man behind many other Beatles acoustic classics, including "Norwegian Wood," "Julia," "Happiness Is a Warm Gun" and "Dear Prudence."
Let’s look at what makes these tracks tick. Lennon used a version of Travis picking, a somewhat country-flavored fingerstyle approach named after session musician Merle Travis, to shape much of his acoustic output.
FIGURES 1a–d deconstruct Lennon’s favorite pattern via an open C chord, beginning with bass notes, to focus on the pick-hand thumb’s activity (FIGURE 1a). With the C chord held down, use your fret-hand’s ring finger to alternately fret C (A string, third fret) and G (low E string, third fret), on beats one and two, respectively. These notes, and the E note at the second fret on the D string (struck “between” each bass note), are plucked with the thumb (p).
As FIGURES 1b–d unfold, one note is added at a time—plucked on the high E string with the ring finger (a), on the G string with the index finger (i) and then on the B string with the middle finger (m)—until the entire pattern is pieced together (see FIGURE 1d). Once you have this pattern down, you’re ready to tackle a host of Lennon’s acoustic Beatles songs, like “Julia” (from The Beatles, a.k.a. the