In a creative rut? This might be the pedal for you... In a creative rut? This might be the pedal for you...

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Like Me, you probably saw the name “Data Corrupter” and wondered,
In a creative rut? This might be the pedal for you...

In a creative rut? This might be the pedal for you...

Like Me, you probably saw the name “Data Corrupter” and wondered, “What does a device that hacks credit bureaus, spreads computer viruses and commandeers Twitter feeds to disseminate fake news have to do with guitar?” Well, grasshopper, just think of the notes you play on guitar as “data.” As for the “corrupter” bit? Well, it’s fuzz, Jim, but not as we know it. 

Simply put, the EarthQuaker Data Corrupter is the wildest fuzz pedal you’ll likely encounter in this lifetime, capable of producing psychotic oscillation, mutated modulation and synth-like octaves that are dynamically responsive and unusual yet predictably repeatable.

FEATURES The EarthQuaker Data Corrupter combines a wicked squarewave fuzz circuit with various synth-like controls arranged in four sections: Voice Mixer, Subharmonic, Frequency Modulator and Master Oscillator. The Voice Mixer features individual controls for adjusting the levels of three different voices: Square (fuzz), Subharmonic (-1 to -3 octaves with various interval divisions) and Oscillator. The Subharmonic section features a rotary switch with eight different octave/interval settings and a Unison/Oscillator switch. The Frequency Modulator section has a Glide/Vibrato switch and a Rate control. The Master Oscillator section also has an eight-position octave/interval rotary switch, plus a Root switch for selecting unison, -1 octave or -2 octave settings. There’s also a master level control, ¼-inch mono input and output jacks, true bypass switching and a jack for a standard 9V center negative power supply (not included).

PERFORMANCE If the section above was about as coherent as a drunken sailor during Fleet Week, let me just cut to the chase. This pedal generates some of strangest and most gruesomely beautiful fuzz tones I’ve ever heard, with violent, speaker-ripping intensity and oddly complex overtones that are bizarre yet musically useful.

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